"Scaramouche, Op. 165: II. Modéré" by Darius Milhaud, Jos Van Immerseel, Lisa Shklyaver was released on February 24, 2015. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jos Van Immerseel, Lisa Shklyaver's "La clarinette française" album is number 12 out of 13. Scaramouche, Op. 165: II. Modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scaramouche, Op. 165: II. Modéré by Darius Milhaud, Jos Van Immerseel, Lisa Shklyaver to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
Sonate pour Clarinette et Piano, Op. 167: Sonate pour clarinette et piano, Op. 167: II. Allegro animato | Camille Saint-Saëns, David Bismuth, Pierre Génisson | A♭ Major | 1 | 4B | 130 BPM | ||
Sextet in G Minor, Op. 142: III. Rondo. Allegretto | Ferdinand Ries, Franz Ensemble, Maximilian Krome, Rie Koyama, Sarah Christian, Yuko Hara, Tristan Cornut, Juliane Bruckmann, Kiveli Doerken, Jonathan Wegloop, Emily Hoile | G Minor | 1 | 6A | 97 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Ravel / Arr Jones: Le tombeau de Couperin: I. Prélude | Maurice Ravel, Les Vents Français, Herbert von Karajan, Members of the Orchestra del Teatro alla Scala di Milano | G Major | 1 | 9B | 78 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM |
Section: 1.176654577255249
End: 1.180027961730957