The Gerst Ensemble made "25 Etudes, Op. 47: No. 9 Etude in F" available on October 3, 2022. With 25 Etudes, Op. 47: No. 9 Etude in F being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 22 in Classical Folder 3 by The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 25 Etudes, Op. 47: No. 9 Etude in F is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 25 Etudes, Op. 47: No. 9 Etude in F by The Gerst Ensemble is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Rossini: La gazza ladra: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 167 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 5 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Bach Brandenburg Concerto | Belize Ensemble | D♭ Minor | 4 | 12A | 154 BPM | ||
Action in War | James Wong | E♭ Major | 1 | 5B | 83 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Fantasy Pieces, Op. 45: Summer Song | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 91 BPM |
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