23. When you had left our pirate fold
Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams
Gilbert & Sullivan: The Pirates of Penzance
5:58 January 1, 1968
BPM
111
Key
B Major
Camelot
1B

Embed

Share Link

23. When you had left our pirate fold - Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams Information

Acousticness
81%
Danceability
64%
Energy
25%
Instrumentalness
0%
Liveness
68%
Loudness
69%
Speechiness
57%
Valence
47%
Popularity
Loudness
-18.495 dB

Summary

Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams made "23. When you had left our pirate fold" available on January 1, 1968. 23. When you had left our pirate fold is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 9 out of 40. In terms of popularity, 23. When you had left our pirate fold is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

23. When you had left our pirate fold BPM

We consider the tempo marking of 23. When you had left our pirate fold by Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

23. When you had left our pirate fold Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Every Breath You Take by Royal Philharmonic OrchestraEvery Breath You TakeRoyal Philharmonic OrchestraD Major310B99 BPM
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song by Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic OrchestraGrieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's SongEdvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic OrchestraA Minor18A88 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
12. Stay, we must not lose our senses by Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey12. Stay, we must not lose our sensesArthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore GodfreyG Major29B116 BPM
Vaughan Williams: Linden Lea by Ralph Vaughan Williams, Dame Janet Baker, Gerald MooreVaughan Williams: Linden LeaRalph Vaughan Williams, Dame Janet Baker, Gerald MooreD♭ Major13B174 BPM
Candide, Act II (Remastered): Bon Voyage by Leonard Bernstein, William Olvis, Original Broadway Cast of Candide, Samuel Krachmalnick, Candide OrchestraCandide, Act II (Remastered): Bon VoyageLeonard Bernstein, William Olvis, Original Broadway Cast of Candide, Samuel Krachmalnick, Candide OrchestraB♭ Major66B97 BPM
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José)Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera OrchestraD Major110B83 BPM
Puccini: Madama Butterfly, Act 2: Puccini: Madama Butterfly, Act 2: "Con onor muore" (Madama Butterfly)Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio SerafinB Minor210A91 BPM
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) by Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich HaiderDie Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus)Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich HaiderD Major410B74 BPM
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen by Gilbert & Sullivan Society of HoustonH.M.S. Pinafore, Act I: Sir Joseph's Barge Is SeenGilbert & Sullivan Society of HoustonE Minor29A102 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6582188606262207

End: 0.6639885902404785