Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams made "23. When you had left our pirate fold" available on January 1, 1968. 23. When you had left our pirate fold is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 9 out of 40. In terms of popularity, 23. When you had left our pirate fold is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 23. When you had left our pirate fold by Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Every Breath You Take | Royal Philharmonic Orchestra | D Major | 3 | 10B | 99 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
12. Stay, we must not lose our senses | Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 116 BPM | ||
Vaughan Williams: Linden Lea | Ralph Vaughan Williams, Dame Janet Baker, Gerald Moore | D♭ Major | 1 | 3B | 174 BPM | ||
Candide, Act II (Remastered): Bon Voyage | Leonard Bernstein, William Olvis, Original Broadway Cast of Candide, Samuel Krachmalnick, Candide Orchestra | B♭ Major | 6 | 6B | 97 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Puccini: Madama Butterfly, Act 2: "Con onor muore" (Madama Butterfly) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B Minor | 2 | 10A | 91 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM |
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