"Gesualdo: Libro Sesto: VII" by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks was released on May 18, 2018. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Finnissy, Exaudi Vocal Ensemble, James Weeks's "Michael Finnissy Vocal Works 1974-2015" album is number 7 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gesualdo: Libro Sesto: VII's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gesualdo: Libro Sesto: VII by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Oxford in 1817: No. 3, — | Michael Finnissy, Joseph Havlat, Lotte Betts-Dean | D Minor | 0 | 7A | 129 BPM | ||
Victor's Piano Solo | Danny Elfman | D♭ Minor | 0 | 12A | 142 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM |
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