Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas made "Suite No.2: No. 6, Le vertigo" available on January 1, 1992. Suite No.2: No. 6, Le vertigo is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Royer: Pièces de Clavecin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Italy. Based on our statistics, Suite No.2: No. 6, Le vertigo's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite No.2: No. 6, Le vertigo by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Violin Sonatas, Sonata in E Minor, No. 4: II. Viste | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite No. 2 en mi mineur, RCT 2: VIII. Tambourin | Jean-Philippe Rameau, Luc Beauséjour | B♭ Minor | 5 | 3A | 116 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Violin Sonata No. 1: III. Adagio | Francesco Maria Veracini, Rudiger Lotter, Axel Wolf, Kristin von der Goltz, Olga Watts | B Major | 0 | 1B | 106 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Suite in A Minor, P.446: I. Allemand | Johann Pachelbel, Simone Stella | A♭ Minor | 1 | 1A | 0 BPM | ||
English Suite No. 6 in D Minor, BWV 811: IV. Sarabande - Double | Johann Sebastian Bach, Benjamin Alard | D Minor | 2 | 7A | 110 BPM | ||
Recorder Concerto No. 9 in A Minor: V. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 109 BPM | ||
English Suite No. 6 in D Minor, BWV 811: I. Prelude | Johann Sebastian Bach, Benjamin Alard | D Minor | 2 | 7A | 110 BPM |
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