"Agua, azucarillos y aguardiente: Vals" by Pablo Sorozábal was released on December 10, 2013. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Zarzuela - 100 Momentos Antológicos" album is number 95 out of 100. On top of that, Spain appears to be the country where this track was created. Agua, azucarillos y aguardiente: Vals is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Agua, azucarillos y aguardiente: Vals by Pablo Sorozábal to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No Cortes Más Que una Rosa (Romanza de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | E Major | 6 | 12B | 154 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra | E Major | 0 | 12B | 87 BPM | ||
La Rosa del Azafrán: Coro de Espigadoras: "Esta Mañana Mu Tempranico" | Jacinto Guerrero, Federico Romero, Guillermo Fernández-Shaw, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Cruz de Mayo (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | G Minor | 4 | 6A | 107 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
El Arte de Cuchares | Banda de Musica de la Guardia Real | G Major | 3 | 9B | 113 BPM | ||
La Rosa del Azafrán: "Juan Pedro y coro general" | Coros Cantores De Madrid, Manuel Ausensi | F Major | 4 | 7B | 73 BPM | ||
7 Canciones Populares Españolas: El pano moruno | Teresa Berganza, Juan Antonio Alvares Parejo | B Minor | 0 | 10A | 118 BPM |
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