Jacques Offenbach, Slovak State Philharmonic Orchestra, Christian Pollack's 'Les contes d'Hoffmann, Op. 67: Barcarolle' came out on March 22, 2024. The duration of Les contes d'Hoffmann, Op. 67: Barcarolle is about 3 minutes long, at 3:22. Based on our data, "Les contes d'Hoffmann, Op. 67: Barcarolle" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. The popularity of Les contes d'Hoffmann, Op. 67: Barcarolle is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Les contes d'Hoffmann, Op. 67: Barcarolle by Jacques Offenbach, Slovak State Philharmonic Orchestra, Christian Pollack having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | F Major | 1 | 7B | 91 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Offenbach: Fantasio, Act 1: "Voyez dans la nuit brune" (Fantasio) | Jacques Offenbach, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | E Minor | 1 | 9A | 98 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Offenbach: La vie parisienne, Act 1: Ouverture - Chœur. "Nous sommes employés de la ligne de l'Ouest" - Dialogue. "À quelle heure arrive le train de Trouville ?" (Chœur, Bobinet, Gardefeu, L'Employé) | Jacques Offenbach, Michel Plasson, André Batisse, Choeur Du Capitole De Toulouse, Michel Sénéchal, Michel Trempont, Orchestre Du Capitole De Toulouse | G Major | 3 | 9B | 111 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | G Major | 1 | 9B | 78 BPM |
Section: 0.7666299343109131
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