"Poème, Op. 25: II. Poco Lento" by Ernest Chausson, Lisa Batiashvili, Philadelphia Orchestra, Yannick Nézet-Séguin was released on July 29, 2022. Since Poème, Op. 25: II. Poco Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Chausson: Poème, Op. 25: II. Poco Lento and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Poème, Op. 25: II. Poco Lento's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poème, Op. 25: II. Poco Lento by Ernest Chausson, Lisa Batiashvili, Philadelphia Orchestra, Yannick Nézet-Séguin is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 2. Gagliarda | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Harold en Italie, Op. 16: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Antoine Tamestit, Valery Gergiev | C Major | 0 | 8B | 112 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": I. Allegro vivace | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM |
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