"Fedora, Act I: Son gente risoluta (Live)" by Umberto Giordano, Daniela Dessi, Genoa Carlo Felice Theater Orchestra, Valerio Galli was released on January 19, 2018. The duration of Fedora, Act I: Son gente risoluta (Live) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Fedora, Act I: Son gente risoluta (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 5 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act I: Son gente risoluta (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fedora, Act I: Son gente risoluta (Live) by Umberto Giordano, Daniela Dessi, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | G Major | 3 | 9B | 140 BPM | ||
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: La cloche a sonné; nous, des ouvrières (Jeunes gens) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | C Major | 0 | 8B | 94 BPM | ||
La Cenerentola / Act 1: "Zitto, zitto: piano, piano" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 1 | 11B | 78 BPM | ||
Manon Lescaut / Act 1: Tra voi belle, brune e bionde | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 165 BPM |
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