"Mozart: Die Entführung aus dem Serail, K. 384, Act II: "Traurigkeit ward mir zum Lose" (Konstanze)" by Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée was released on February 26, 2021. Since Mozart: Die Entführung aus dem Serail, K. 384, Act II: "Traurigkeit ward mir zum Lose" (Konstanze) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Natalie Dessay à l'opéra". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mozart: Die Entführung aus dem Serail, K. 384, Act II: "Traurigkeit ward mir zum Lose" (Konstanze) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Die Entführung aus dem Serail, K. 384, Act II: "Traurigkeit ward mir zum Lose" (Konstanze) by Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM |
Section: 0.5539391040802002
End: 0.5591464042663574