Ned Rorem, Marya Martin, André-Michel Schub, Fred Sherry, Ani Kavafian, Ida Kavafian's 'Bright Music: I. Fandango' came out on January 1, 1992. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Ned Rorem: Winter Pages/Bright Music". In this album, this song's track order is #13. The popularity of Bright Music: I. Fandango is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bright Music: I. Fandango by Ned Rorem, Marya Martin, André-Michel Schub, Fred Sherry, Ani Kavafian, Ida Kavafian having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106: I. Sonatina (Transcr. for Piano Four Hands by György Kurtàg) | Víkingur Ólafsson, Halla Oddný Magnúsdóttir | E♭ Major | 1 | 5B | 84 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
Chanson sans paroles in E Minor | Alfons Szczerbiński, Giorgio Koukl | F Minor | 1 | 4A | 72 BPM | ||
7 Recitatives & Fugues: Recitative No. 1, Allegro, ma non troppo | Aram Khachaturian, Charlene Farrugia | D♭ Major | 1 | 3B | 127 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM | ||
Nocturne No. 3 | Guy Ropartz, Stephane Lemelin | E♭ Major | 1 | 5B | 99 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM |
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