On January 1, 2007, the song "Bourrée d'avignognez (Anonyme)" was released by Montserrat Figueras, Jordi Savall, Le Concert Des Nations. With Bourrée d'avignognez (Anonyme) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Montserrat Figueras, Jordi Savall, Hespèrion XXI, Le Concert Des Nations, La Capella Reial De Catalunya's "Ludi Musici - The Spirit of Dance" album is number 13 out of 24. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Bourrée d'avignognez (Anonyme) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bourrée d'avignognez (Anonyme) by Montserrat Figueras, Jordi Savall, Le Concert Des Nations to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lanquan li jorn | Jaufre Rudel, Dominique Vellard, Ensemble Gilles Binchois | B Minor | 1 | 10A | 132 BPM | ||
Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
The Shoemaker's Wife. A Toy (P 58) | John Dowland, Paul O'Dette | C Minor | 1 | 5A | 138 BPM | ||
Folle È Ben Che Si Crede | Montserrat Figueras, Tarquinio Merula | C Major | 0 | 8B | 72 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM |
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