Federico Moreno Torroba, Andrés Segovia made "Madroños: Madroños" available on January 1, 2002. The duration of Madroños: Madroños is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Madroños: Madroños's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Madroños: Madroños is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Madroños: Madroños by Federico Moreno Torroba, Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Forest Paintings: No. 2. Snowdrops | Konstantin Vassiliev, Irina Kulikova | B Minor | 0 | 10A | 104 BPM | ||
Fantasia Que Contrahaze la Harpa en la Manera de Ludovico | Alonso Mudarra, Los Angeles Guitar Quartet | D Major | 2 | 10B | 93 BPM | ||
Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
Canarios | Gaspar Sanz, Timo Korhonen | D Major | 1 | 10B | 168 BPM | ||
Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
Castillos de España: Calatrava | Federico Moreno Torroba, John Oeth | A Major | 2 | 11B | 118 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 97 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Waltzes, Op. 8: Vals, Op. 8, No. 3 | Jason Vieaux | D Minor | 1 | 7A | 111 BPM |
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