"Whistle Down the Wind: I. Prelude (Whistle Down the Wind Theme) [arr. C. Palmer]" by Malcolm Arnold, London Symphony Orchestra, Richard Hickox was released on November 1, 1992. The duration of Whistle Down the Wind: I. Prelude (Whistle Down the Wind Theme) [arr. C. Palmer] is about 3 minutes long, at 3:21. Based on our data, "Whistle Down the Wind: I. Prelude (Whistle Down the Wind Theme) [arr. C. Palmer]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 16 in Arnold, M.: Film Music, Vol. 1 by Malcolm Arnold, Richard Hickox. In terms of popularity, Whistle Down the Wind: I. Prelude (Whistle Down the Wind Theme) [arr. C. Palmer] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Whistle Down the Wind: I. Prelude (Whistle Down the Wind Theme) [arr. C. Palmer] by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Nicholson's Victory | Malcolm Arnold, Royal Philharmonic Orchestra | E♭ Major | 8 | 5B | 120 BPM | ||
Quintet: II. Chaconne | Malcolm Arnold, Center City Brass Quintet | C Major | 0 | 8B | 69 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM |
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