John Playford, The Broadside Band, Jeremy Barlow's 'The Dancing Master: Merry Milkmaids We' came out on April 20, 1980. The duration of The Dancing Master: Merry Milkmaids We is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Dancing Master: Merry Milkmaids We's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Playford, The Broadside Band, Jeremy Barlow's "John Playford: Popular Tunes in 17th Century England" album is number 7 out of 42. In terms of popularity, The Dancing Master: Merry Milkmaids We is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Dancing Master: Merry Milkmaids We by John Playford, The Broadside Band, Jeremy Barlow to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Trip to Killburn | John Playford, Baltimore Consort | E Minor | 1 | 9A | 101 BPM | ||
Der han (The cock) (after Neidhart) | Baptiste Romain | F Major | 1 | 7B | 110 BPM | ||
CSM 18: Por Nos De Dulta Tirar (Nunium, The Wizard Of Leyriath) | The Wandering Bard, Alfonso X El Sabio, Esin Yardimli Alves Pereira, Ricardo Alves Pereira, Nina Loureiro | A♭ Minor | 2 | 1A | 88 BPM | ||
Saltarello I & II | Giacomo Gorzanis, Marc Lewon | B♭ Major | 0 | 6B | 99 BPM | ||
Baude Cordier: Tout par compas: Tout par compas - Instrumental | Trefoil, Drew Minter, Mark Rimple, Marcia Young | C Major | 0 | 8B | 113 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Nunc gaudeant materna viscera (Antiphona) | Hildegard von Bingen, La Reverdie | D Major | 1 | 10B | 72 BPM | ||
CSM 380: Sen Calar Nen Tardar (Time Of Sharing) | The Wandering Bard, Alfonso X El Sabio, Esin Yardimli Alves Pereira, Ricardo Alves Pereira, Nina Loureiro | B Major | 1 | 1B | 89 BPM |
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