"Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili" by Bedřich Smetana, Romana Pávková, Thomas Badura, Czech Philharmonic Choir, Brno, Czech Chamber Orchestra, Petr Fiala was released on September 1, 2012. The duration of Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 16 in Famous Oratorio and Opera Choruses by Czech Philharmonic Choir, Brno, Petr Fiala. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili by Bedřich Smetana, Romana Pávková, Thomas Badura, Czech Philharmonic Choir, Brno, Czech Chamber Orchestra, Petr Fiala is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for String Orchestra in C Major, Op. 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, Czech Chamber Orchestra, Josef Vlach | G Major | 0 | 9B | 95 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Guglielmo Tell - Sinfonia (Finale) | A. Steiner & Metropolitan Symphony Orchestra | E Major | 6 | 12B | 174 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM | ||
The Bartered Bride, JB 1:100, Act II, Scene 4: Duetto. Now Then, My Dear Man ... (Jeník, Míchův syn z prvního manželství, Kecal, Vesnický dohazovač) | Bedřich Smetana, Peter Dvorsky, Richard Novak, Czech Philharmonic Orchestra, Zdeněk Košler | G Major | 1 | 9B | 118 BPM | ||
Viola Concerto in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Libor Novacek, Czech Chamber Orchestra, Otokar Stejskal | B♭ Major | 1 | 6B | 149 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Messe solennelle de Sainte Cécile (1988 Digital Remaster): Sanctus | Charles Gounod, Pilar Lorengar/Heinz Hoppe/Franz Crass/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/Jean-Claude Hartemann, Jean-Claude Hartemann, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 2 | 10A | 77 BPM | ||
Le Carnaval des Animaux, R. 125: 14. Finale | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 3 | 8B | 102 BPM |
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