"Sonata for Saxophone Alto and Piano: IV. Nocturne Et Final" by Fernande Decruck, Stephen Page, Cameron Hofmann was released on June 23, 2012. With this song being about 5 minutes long, at 4:40, "Sonata for Saxophone Alto and Piano: IV. Nocturne Et Final" by Fernande Decruck, Stephen Page, Cameron Hofmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Stephen Page, Cameron Hofmann's "Holy Roller" album is number 10 out of 10. In terms of popularity, Sonata for Saxophone Alto and Piano: IV. Nocturne Et Final is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Saxophone Alto and Piano: IV. Nocturne Et Final by Fernande Decruck, Stephen Page, Cameron Hofmann to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Clarinet Concerto: III. Andantino | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Minor | 0 | 8A | 107 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Saxophonescas: VI. Histoire sans nom | Fernande Decruck, Quatuor Ellipsos | D♭ Minor | 1 | 12A | 66 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Three Letter Word (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | D♭ Minor | 1 | 12A | 106 BPM | ||
ソナタ: ソナタ: III. 陽気に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | D Major | 2 | 10B | 165 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |
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