Rita Strohl, Yoshika Masuda, HyeJin Kim's 'Great Dramatic Sonata, "Titus et Bérénice": III. Lento, Tristamente' came out on March 8, 2024. Since Great Dramatic Sonata, "Titus et Bérénice": III. Lento, Tristamente is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Yoshika Masuda, HyeJin Kim's "Hidden Flame" album is number 7 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Great Dramatic Sonata, "Titus et Bérénice": III. Lento, Tristamente's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Great Dramatic Sonata, "Titus et Bérénice": III. Lento, Tristamente by Rita Strohl, Yoshika Masuda, HyeJin Kim to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM | ||
Improvisation on Mozart's Symphony No. 40 | Tarmo Peltokoski | B♭ Minor | 1 | 3A | 137 BPM | ||
タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | D Major | 1 | 10B | 174 BPM | ||
Albumblätter, Op. 39: I. Moderato | Adrien La Marca, Danae Dörken | C Major | 1 | 8B | 112 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Piano Trio in A Minor, M. 67: I. Modéré | Maurice Ravel, Florestan Trio | C Major | 0 | 8B | 84 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
Quand la fûte de Pan: II. Vite | Rita Strohl, Olivia Dalric, Célia Oneto Bensaid | A♭ Minor | 1 | 1A | 105 BPM |
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