"Cello Sonata: II. Monologo" by Sándor Veress, Miklós Perényi was released on July 15, 2014. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miklós Perényi, Dénes Várjon's "Ligeti / Farkas / Veress / Liszt / Dohnanyi / Weiner / Mihaly: Hungarian Cello Music" album is number 8 out of 14. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Cello Sonata: II. Monologo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata: II. Monologo by Sándor Veress, Miklós Perényi to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veress : Hommage à Paul Klee : III Alter Klang - Andante con moto | Sándor Veress, András Schiff, Heinz Holliger, Budapest Festival Orchestra | A Minor | 1 | 8A | 94 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): VII. Third Dance - Dance of the Waves | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Concerto for String Orchestra: III. Vivo | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A♭ Major | 1 | 4B | 142 BPM | ||
Sonata for Violin Solo: III. Allegro molto | Sándor Veress, Nurit Stark | A Minor | 3 | 8A | 81 BPM | ||
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | D♭ Major | 0 | 3B | 119 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
4 Danze transilvane: No. 3. Lejtos: Andantino | Sándor Veress, Savaria Symphony Orchestra, Tamas Pal | D♭ Minor | 0 | 12A | 129 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM |
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