"4 Danze transilvane: No. 3. Lejtos: Andantino" by Sándor Veress, Savaria Symphony Orchestra, Tamas Pal was released on July 15, 2014. With this song being about 5 minutes long, at 4:46, "4 Danze transilvane: No. 3. Lejtos: Andantino" by Sándor Veress, Savaria Symphony Orchestra, Tamas Pal is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Veress: Symphony No. 1 / 4 Danze Transilvane / Clarinet Concerto by Sándor Veress, László Horváth, Tamas Pal, Savaria Symphony Orchestra. The song's track number on the album is #6 out of 9 tracks. Based on our statistics, 4 Danze transilvane: No. 3. Lejtos: Andantino's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Danze transilvane: No. 3. Lejtos: Andantino by Sándor Veress, Savaria Symphony Orchestra, Tamas Pal has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 4 Danze transilvane: No. 3. Lejtos: Andantino being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Abbey Road concerto for Violin and Orchestra: IX. I Want you | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Diptychon: I. Andante. Dark | Sándor Veress, Albert Schweitzer Quintet | A Major | 0 | 11B | 68 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Cello Sonatina: I. Allegretto | Sándor Veress, Miklós Perényi, Dénes Várjon | D Minor | 2 | 7A | 95 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM |
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