Lynda Cochrane, John Debney, Royal Scottish National Orchestra made "The English Patient - From "The English Patient"" available on September 22, 1998. With this song being about 5 minutes long, at 4:46, "The English Patient - From "The English Patient"" by Lynda Cochrane, John Debney, Royal Scottish National Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The English Patient And Other Arthouse Classics". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The English Patient - From "The English Patient" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The English Patient - From "The English Patient" by Lynda Cochrane, John Debney, Royal Scottish National Orchestra having a BPM of 46 with a half-time of 23 BPM and a double-time of 92 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
For the World | Tan Dun, Itzhak Perlman, China Philharmonic Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell | Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner | B Major | 0 | 1B | 92 BPM | ||
Preying Penniless Woman - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | C Minor | 1 | 5A | 87 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
George's Waltz | Shigeru Umebayashi | D Minor | 1 | 7A | 108 BPM | ||
End Credits - From "The Portrait Of A Lady" | Lynda Cochrane, John Debney, Royal Scottish National Orchestra | G Major | 0 | 9B | 72 BPM | ||
War and Peace - Main Title | Jan A.P. Kaczmarek | B Major | 3 | 1B | 107 BPM | ||
Expansion Project | Samuel Sim | Dâ™ Major | 2 | 3B | 166 BPM |
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