King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca
City Of Birmingham Symphony Orchestra, Sir Mark Elder
Shostakovich: Hamlet & King Lear
2:45 June 28, 2005
BPM
69
Key
C Minor
Camelot
5A

Embed

Share Link

King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information

Acousticness
90%
Danceability
25%
Energy
17%
Instrumentalness
71%
Liveness
14%
Loudness
61%
Speechiness
5%
Valence
10%
Popularity
Loudness
-23.193 dB

Summary

"King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. The duration of King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #43. King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca BPM

With King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. The military enca Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Prince Igor, Act II: Polovtsian Dances, Dance III by Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio FrancePrince Igor, Act II: Polovtsian Dances, Dance IIIAlexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio FranceF Major17B74 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV. A tempo un poco meno mosso by Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon RattleRachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV. A tempo un poco meno mossoSergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon RattleC Major28B106 BPM
Adams: Harmonielehre: III. Meister Eckhardt and Quackie by John Adams, Sir Simon Rattle, City Of Birmingham Symphony OrchestraAdams: Harmonielehre: III. Meister Eckhardt and QuackieJohn Adams, Sir Simon Rattle, City Of Birmingham Symphony OrchestraE Minor29A71 BPM
Cello Concerto No.1 in E Flat Major, Op.107: 2. Moderato - Live by Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-TylaCello Concerto No.1 in E Flat Major, Op.107: 2. Moderato - LiveDmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-TylaG Major09B92 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: II. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major04B94 BPM
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony OrchestraDvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent WoodsAntonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony OrchestraD♭ Major13B95 BPM
The Young Person's Guide to the Orchestra, Op.34: Var.I: Harp (Maestoso) by Sir Simon Rattle, City Of Birmingham Symphony OrchestraThe Young Person's Guide to the Orchestra, Op.34: Var.I: Harp (Maestoso)Sir Simon Rattle, City Of Birmingham Symphony OrchestraD♭ Major03B122 BPM
Jocelyn, Suite No. 2: Berceuse by Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej LenardJocelyn, Suite No. 2: BerceuseBenjamin Godard, Slovak Radio Symphony Orchestra, Ondrej LenardF Major07B92 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6391589641571045

End: 0.6445362567901611