Hugues Cuénod, Joel Cohen, Christiane Jaccottet made "When Phoebus First Did Daphne Love" available on February 1, 2016. With When Phoebus First Did Daphne Love being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #22. The popularity of When Phoebus First Did Daphne Love is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When Phoebus First Did Daphne Love by Hugues Cuénod, Joel Cohen, Christiane Jaccottet having a BPM of 186 with a half-time of 93 BPM and a double-time of 372 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Les Contes d'Hoffmann / Prologue: Entr'acte | Jacques Offenbach, Jacques Charon, Hugues Cuénod, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 5 | 8B | 107 BPM | ||
Platée, Acte 1 Scène 3: Annonce du chœur et Air "Que vos voix m'applaudissent" (Platée, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Arnold Schoenberg Chor | E♭ Major | 4 | 5B | 130 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Benvenuto Cellini / Act 1: "Amis, avant qu'on recommence" - "Que voulez-vous?" - "C'est le sauveur! Viva!" | Hector Berlioz, Hugues Cuénod, Robert Lloyd, Nicolai Gedda, Derek Blackwell, Jane Berbié, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 172 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Wenn der Freude Tränen fließen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Romance, L. 43 | Claude Debussy, Hugues Cuénod | D♭ Minor | 1 | 12A | 114 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und Erde | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM |
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