Kurt Weill, Milva, Rias-Sinfonietta Berlin, John Mauceri's 'Die Dreigroschenoper: Seeräuber-Jenny' came out on January 1, 1988. The duration of Die Dreigroschenoper: Seeräuber-Jenny is about 3 minutes long, at 3:26. Based on our data, "Die Dreigroschenoper: Seeräuber-Jenny" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #16 out of 27 tracks. Based on our statistics, Die Dreigroschenoper: Seeräuber-Jenny's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Dreigroschenoper: Seeräuber-Jenny by Kurt Weill, Milva, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Dreigroschenoper: Seeräuber-Jenny being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Excerpts from Dreigroschenoper: Zuhälterballade III | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | C Major | 2 | 8B | 130 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
Youkali Tango | The Armadillo String Quartet | D Minor | 1 | 7A | 86 BPM | ||
Das Eifersuchtsduett (2.Akt) (Erste Wolken am Himm | Bertolt Brecht, Kurt Weill | C Major | 3 | 8B | 120 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM |
Section: 0.7771604061126709
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