Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek's 'Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio' came out on February 4, 1997. With Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 16 out of 38. In terms of popularity, Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, Op. 6, No. 1: IV. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | B Major | 1 | 1B | 104 BPM | ||
Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 111 BPM | ||
Concerto grosso, Op. 7, No. 2 in D Minor: I. Grave | Francesco Geminiani, Concerto Köln | F♯ Minor | 0 | 11A | 88 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Trumpet Sonata in D Major: IV. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 92 BPM |
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