Jordi Savall made "Gigue La Fleselle, IV.62 (Marais)" available on January 1, 2006. The duration of Gigue La Fleselle, IV.62 (Marais) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Gigue La Fleselle, IV.62 (Marais)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717" album is number 8 out of 33. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Gigue La Fleselle, IV.62 (Marais)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gigue La Fleselle, IV.62 (Marais) by Jordi Savall to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau | Georg Philipp Telemann, Jordi Savall | B♭ Minor | 4 | 3A | 128 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Bayle de Espadas (Con Pífano y Tamboril) | Traditional, Jordi Savall | C Major | 1 | 8B | 118 BPM | ||
Menk kadj tohmi | Traditional, Hespèrion XXI, David Mayroal, Gaguik Mouradian, Haïg Sarikouyoumdjian, Jordi Savall, Viva Biancaluna Biffi | E Minor | 3 | 9A | 114 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
Passacaglia à 4 | Biagio Marini, Jordi Savall | G Minor | 1 | 6A | 85 BPM | ||
Cosi sol d'una chiara fonte viva | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | C Major | 1 | 8B | 75 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM |
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