"Missa O magnum mysterium: Agnus Dei" by Tomás Luis de Victoria, Oxford Camerata, Jeremy Summerly had its release date on February 2, 1993. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victoria: Masses by Tomás Luis de Victoria, Jeremy Summerly. The song's track number on the album is #6 out of 15 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Missa O magnum mysterium: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa O magnum mysterium: Agnus Dei by Tomás Luis de Victoria, Oxford Camerata, Jeremy Summerly has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Missa O magnum mysterium: Agnus Dei being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Hosanna to the son of David | Orlando Gibbons, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 2 | 5B | 111 BPM | ||
Victoria: Taedet animam meam - 4. Numquid sicut | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | D Major | 1 | 10B | 87 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
2 Sacred Chants: No. 1, Mercy of Peace | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E Major | 0 | 12B | 132 BPM | ||
Ave Maria, gratia plena a 8 | Tomás Luis de Victoria, Saint Clement's Choir, Philadelphia, Peter Richard Conte | A Minor | 2 | 8A | 101 BPM |