Arthur Sullivan, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's '3. Good morrow, good mother, Good mother, good morrow' came out on January 1, 1960. The duration of 3. Good morrow, good mother, Good mother, good morrow is about 3 minutes long, at 3:13. Based on our data, "3. Good morrow, good mother, Good mother, good morrow" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 4 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 3. Good morrow, good mother, Good mother, good morrow is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 3. Good morrow, good mother, Good mother, good morrow by Arthur Sullivan, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodgers / Arr. Kostal: Climb Ev'ry Mountain (From "The Sound of Music") | The John Wilson Orchestra, John Wilson | C Major | 3 | 8B | 104 BPM | ||
I Am the Very Model of a Modern Major-General (from "The Pirates of Penzance") | William Schwenck Gilbert, Arthur Sullivan, John Cartier, James Walker, Royal Philharmonic Orchestra | E♭ Major | 3 | 5B | 101 BPM | ||
Sullivan: Suite from The Merchant of Venice: I. Introduction | Arthur Sullivan, Sir Vivian Dunn, City Of Birmingham Symphony Orchestra | G Major | 4 | 9B | 139 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
The Yeomen of the Guard: When our gallant Norman foes | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 2 | 5B | 77 BPM | ||
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
The Mikado: So Please You Sir | Lesley Garrett, Mark Richardson, Richard van Allan, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM |
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