"Haydn: Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken"" by Joseph Haydn, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner, Hans Peter Blochwitz, Südfunkchor was released on December 1, 2023. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 61 in the song's album "Sir Neville Marriner Conducts Haydn". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Haydn: Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Haydn: Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" by Joseph Haydn, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner, Hans Peter Blochwitz, Südfunkchor having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: III. Rondo: Allegro Vivace | Muzio Clementi, Balazs Szokolay | F Major | 2 | 7B | 112 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM |
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