Eugène Ysaÿe, Leonidas Kavakos's 'Violin Sonata in E Major, Op. 27 No. 6: Sonata No. 6 in E Major' came out on December 1, 1999. Since Violin Sonata in E Major, Op. 27 No. 6: Sonata No. 6 in E Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Ysaÿe: 6 Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe, Leonidas Kavakos. The song's track number on the album is #15 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Violin Sonata in E Major, Op. 27 No. 6: Sonata No. 6 in E Major is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Violin Sonata in E Major, Op. 27 No. 6: Sonata No. 6 in E Major by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Violin Sonata in E Major, Op. 27 No. 6: Sonata No. 6 in E Major being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle, Op. 30 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 67 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | F♯ Minor | 0 | 11A | 109 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM | ||
Cadenza (to Beethoven: Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo) | Eugène Ysaÿe, María Dueñas | D Major | 0 | 10B | 95 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 1. Allegro vivo | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | D Minor | 1 | 7A | 77 BPM | ||
Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": I. Largo – Andante molto | Antonio Vivaldi, Peter Whelan, La Serenissima | B♭ Major | 1 | 6B | 114 BPM | ||
Piano Trio No. 3 in C Minor, Op. 1, No. 3: I. Allegro con brio | Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | D Major | 1 | 10B | 79 BPM |
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