William Byrd, Canadian Brass, Kazuyoshi Akiyama's 'The Earl of Oxford's March (Arr. for Brass Quintet)' came out on March 27, 1990. The duration of The Earl of Oxford's March (Arr. for Brass Quintet) is about 3 minutes long, at 3:09. Based on our data, "The Earl of Oxford's March (Arr. for Brass Quintet)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 26 in English Renaissance Music by Canadian Brass. Based on our statistics, The Earl of Oxford's March (Arr. for Brass Quintet)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Earl of Oxford's March (Arr. for Brass Quintet) by William Byrd, Canadian Brass, Kazuyoshi Akiyama is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Miserere a 9: No. 2, Et secundum multitudinem - Amplius lava me | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Vespro della Beata Vergine, SV 206: Et misericordia | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | D Minor | 4 | 7A | 132 BPM | ||
Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM |
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