On January 1, 1995, the song "Don Quixote: Act I: Moreno dance" was released by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov. With Don Quixote: Act I: Moreno dance being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 9 out of 56. Based on our statistics, Don Quixote: Act I: Moreno dance's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Don Quixote: Act I: Moreno dance by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Ballet of the Chickens in Their Shells | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 84 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Act I: Sancho Panza & The Maidens (Minkus) | Mariinsky Orchestra | E♭ Major | 4 | 5B | 171 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
Carnaval, Op. 9 (Orch. M. Ravel): No. 16. Valse allemande | Maurice Ravel, Robert Schumann, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 90 BPM | ||
Paquita: Coda: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
Schwanensee, Op. 20: Act III: Adagio | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Spartacus Suite No. 3: At the Circus | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F♯ Major | 0 | 2B | 71 BPM | ||
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM |
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