Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde made "Overture (Suite) in C Major, TWV 55:C3: VIII. Menuet: Der angenehme Zephir" available on January 1, 2007. The duration of Overture (Suite) in C Major, TWV 55:C3: VIII. Menuet: Der angenehme Zephir is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Overture (Suite) in C Major, TWV 55:C3: VIII. Menuet: Der angenehme Zephir's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Telemann, G.P.: Overture (Suites) in C Major / E Minor / F Major". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Overture (Suite) in C Major, TWV 55:C3: VIII. Menuet: Der angenehme Zephir is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in C Major, TWV 55:C3: VIII. Menuet: Der angenehme Zephir by Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Telemann: Concerto for 3 Oboes, 3 Violins and Continuo in B-Flat Major, TWV 44:43: III. Allegro | Georg Philipp Telemann, Nikolaus Harnoncourt, Bernhard Klebel, Jürg Schaeftlein, Karl Gruber, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 1. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 111 BPM |
Section: 0.5811808109283447
End: 0.5865726470947266