"Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260" by Camille Saint-Saëns, Peter Phillips, Richard Epstein was released on February 15, 2024. With this song being about 5 minutes long, at 5:11, "Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260" by Camille Saint-Saëns, Peter Phillips, Richard Epstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bernhard Stavenhagen, Wilhelm Backhaus, Frédéric Chopin, Franz Liszt, Johann Sebastian Bach, Camille Saint-Saëns, Edvard Grieg, Felix Mendelssohn, Franz Schubert, Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Maurice Ravel, Edward Elgar, Richard Wagner's "Great Piano Transcriptions from the Golden Age" album is number 3 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260 by Camille Saint-Saëns, Peter Phillips, Richard Epstein to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Orphée Suite - 6. Orphee's Return | Philip Glass | F Major | 1 | 7B | 127 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 125 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM |
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