Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner's 'Piano Concerto No. 12 in A Major, K. 414: III. Rondeau (Allegretto)' came out on January 1, 1999. Piano Concerto No. 12 in A Major, K. 414: III. Rondeau (Allegretto) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner's "Mozart, W.A.: The Piano Concertos" album is number 6 out of 71. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 12 in A Major, K. 414: III. Rondeau (Allegretto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 12 in A Major, K. 414: III. Rondeau (Allegretto) by Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 91 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM |
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