"La Bayadère / Act 3: No.42a Solenne" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. With La Bayadère / Act 3: No.42a Solenne being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 14 out of 42. In terms of popularity, La Bayadère / Act 3: No.42a Solenne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 3: No.42a Solenne by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Pirouette 1 - Black Swan Pas De Deux | Christopher N Hobson | D Major | 3 | 10B | 162 BPM | ||
Petit Allegro (from La Bayadère) | Douglas Schultz, Ludwig Minkus | G Major | 3 | 9B | 94 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Don Quixote: Act II: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 3 | 8A | 101 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Grand Plié (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 1 | 9B | 115 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": IV. Saltarello: Presto | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | A Minor | 2 | 8A | 109 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM |
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