Heitor Villa-Lobos, Mickael Viegas made "12 Estudos, W235: IV. Un peu modéré - acordes repetidos" available on February 19, 2016. The duration of 12 Estudos, W235: IV. Un peu modéré - acordes repetidos is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 12 Estudos, W235: IV. Un peu modéré - acordes repetidos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Complete Guitar Works of Heitor Villa-Lobos". In this album, this song's track order is #5. In terms of popularity, 12 Estudos, W235: IV. Un peu modéré - acordes repetidos is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 12 Estudos, W235: IV. Un peu modéré - acordes repetidos by Heitor Villa-Lobos, Mickael Viegas having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
12 Danzas españolas, Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 92 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Bachianas brasileiras No. 2, "O trenzinho do Caipira": III. Danza: Lembranca do Sertao (Remembrance of the Bush) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | A Minor | 2 | 8A | 84 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Mstislav Rostropovich, Alexander Dedyukhin | C Major | 4 | 8B | 175 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM |
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