"Andalucía (Suite Espagnole): VI. Malagueña [Transcr. M. Grandjany]" by Ernesto Lecuona, Yolanda Kondonassis was released on January 28, 2003. With this song being about 5 minutes long, at 4:54, "Andalucía (Suite Espagnole): VI. Malagueña [Transcr. M. Grandjany]" by Ernesto Lecuona, Yolanda Kondonassis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "The Romantic Harp". In this album, this song's track order is #3. In terms of popularity, Andalucía (Suite Espagnole): VI. Malagueña [Transcr. M. Grandjany] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andalucía (Suite Espagnole): VI. Malagueña [Transcr. M. Grandjany] by Ernesto Lecuona, Yolanda Kondonassis having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
19th Century Cuban Dances: No. 8, La Cardenense | Ernesto Lecuona, Pierre Solot | F♯ Major | 1 | 2B | 73 BPM | ||
Melodie in F; op. 3 | Anton Rubinstein, I Salonisti | F Major | 1 | 7B | 99 BPM | ||
Polonaise No. 6, Op. 53, in A-flat | Frédéric Chopin, Arthur Rubinstein | E♭ Major | 3 | 5B | 83 BPM | ||
Military Tap | Mariano Mores, Victor Villadangos | A Minor | 1 | 8A | 117 BPM | ||
Quien sera | Beltran Luiz, Ludwig Orchestra, Berlage Saxophone Quartet | E Major | 1 | 12B | 69 BPM | ||
Los Amaneceres en Austria | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 174 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Malgré tout (A pesar de todo) | Hector Rojas | D Major | 0 | 10B | 69 BPM | ||
The Merry Widow Waltz - Bright Viennese Waltz | Lester Lanin | G Major | 4 | 9B | 80 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM |
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