Claudio Monteverdi, Ian Bostridge, Emmanuelle Haïm made "Monteverdi: L'Orfeo, favola in musica, SV 318, Act 3: "Scorto da te, mio nume" (Orfeo)" available on 2004. With Monteverdi: L'Orfeo, favola in musica, SV 318, Act 3: "Scorto da te, mio nume" (Orfeo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 2 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'Orfeo, favola in musica, SV 318, Act 3: "Scorto da te, mio nume" (Orfeo) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 3: "Scorto da te, mio nume" (Orfeo) by Claudio Monteverdi, Ian Bostridge, Emmanuelle Haïm to be Grave (very slow) because the track has a tempo of 35 BPM, a half-time of 18BPM, and a double-time of 70 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
L'Incoronazione di Poppea, SV 308: Pur ti miro | Claudio Monteverdi, Guillemette Laurens, Michel Godard, Gavino Murgia, Fanny Paccoud, Bruno Helstroffer, Steve Swallow | F Major | 1 | 7B | 104 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Fac Me Cruce | Andreas Scholl | B Minor | 0 | 10A | 90 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |
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