Anonymous, François Couperin, Aladar Racz, Yvonne Racz Barblan's ' "Pieces de clavecin, Book 1: 2nd Ordre in D Major-minor: Passe-pied - Rigaudon (arr. for cimbalom and piano)" was released on its scheduled release date, January 1, 2015. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Classic of the Cimbalom". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hungary. Pieces de clavecin, Book 1: 2nd Ordre in D Major-minor: Passe-pied - Rigaudon (arr. for cimbalom and piano) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pieces de clavecin, Book 1: 2nd Ordre in D Major-minor: Passe-pied - Rigaudon (arr. for cimbalom and piano) by Anonymous, François Couperin, Aladar Racz, Yvonne Racz Barblan having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Domine, Non Sum Dignus | Amor Artis Chamber Choir | A Minor | 1 | 8A | 92 BPM | ||
Viderunt omnes - Graduale/In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | E Minor | 1 | 9A | 108 BPM | ||
Communion "Regina mundi" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A Major | 1 | 11B | 69 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Tempo Della Glora E Della Vita. Graduale: Haec Dies | Canonici Regolari Si Sant'Antimo | F Minor | 1 | 4A | 78 BPM |