"Connection" by Barrington Pheloung, London Metropolitan Orchestra was released on January 1, 2008. With Connection being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Barrington Pheloung's "Lewis" album is number 14 out of 20. Connection is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Connection by Barrington Pheloung, London Metropolitan Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Philharmonia Orchestra, Andrew Davis | F♯ Major | 0 | 2B | 62 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
Hetty Wainthropp Investigates (BBC) | Nigel Hess, The London Film Orchestra, Phillip McCann | B♭ Minor | 2 | 3A | 96 BPM | ||
Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 177 BPM | ||
By The Sleepy Lagoon | Eric Coates, East of England Orchestra, Malcolm Nabarro | A Minor | 1 | 8A | 73 BPM | ||
Bonnie Banks of Loch Lomond | Traditional, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | D Major | 2 | 10B | 109 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Richard Casey | D Major | 0 | 10B | 70 BPM | ||
"Ombra mai fu" (Serse), HWV 40 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 135 BPM |
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