"Charpentier : Médée, Act 4: Phantômes et Gardes" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants was released on March 28, 1995. The duration of Charpentier : Médée, Act 4: Phantômes et Gardes is about 3 minutes long, at 3:02. Based on our data, "Charpentier : Médée, Act 4: Phantômes et Gardes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 53 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Charpentier : Médée, Act 4: Phantômes et Gardes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier : Médée, Act 4: Phantômes et Gardes by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silete venti, HWV 242: II. Dulcis amor, Jesus care | George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard | E Major | 1 | 12B | 132 BPM | ||
Médée, H. 491, Act I: Récit. "Prince, je sais que l'amour a des charmes" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Thomas Dolie, David Witczak | G Minor | 3 | 6A | 64 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Médée, H. 491, Act III: Air et chœur. "L'enfer m'a répondu" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Fabien Hyon, Adrien Fournaison | A♭ Major | 3 | 4B | 115 BPM | ||
Te Deum - harp versie | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Médée, H. 491, Act II: Récit. "Prince, venez apprendre" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Thomas Dolie | G Minor | 3 | 6A | 64 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM |
Section: 0.6367180347442627
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