"Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante" by Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine was released on April 21, 1995. Since Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Brahms: Double Concerto / Schumann: Cello Concerto in A Minor by Maria Kliegel. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante by Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Borodin - String Quartet No.2 in D major: Finale: Andante-Vivace | Alexander Borodin, Borodin Quartet | D Major | 3 | 10B | 125 BPM | ||
Violin Partita No. 1 in B Minor, BWV 1002: I. Allemanda | Johann Sebastian Bach, Ilya Kaler | D♭ Minor | 2 | 12A | 104 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM |
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