Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan made "Tritsch-Tratsch-Polka, Op.214" available on January 1, 1988. The duration of Tritsch-Tratsch-Polka, Op.214 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Tritsch-Tratsch-Polka, Op.214's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Johann and Josef: Waltzes and Polkas". In this album, this song's track order is #9. The popularity of Tritsch-Tratsch-Polka, Op.214 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tritsch-Tratsch-Polka, Op.214 by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
Suite for Orchestra (Overture) No. 3 in D major, BWV 1068: Air on the G String | Rudolf Baumgartner | D Major | 1 | 10B | 88 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | ||
Wedding Day at Troldhaugen | Edvard Grieg, Joseph Cooper | E Major | 1 | 12B | 78 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM |
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