"14 Variationen über ein eigenes Thema in F Minor" by Alban Berg, Jean-Jacques Dünki was released on 1990. The duration of 14 Variationen über ein eigenes Thema in F Minor is about 3 minutes long, at 3:24. Based on our data, "14 Variationen über ein eigenes Thema in F Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 17 in Alban Berg: Frühe Klaviermusik, Sonata Op. 1, Sonata Fragments & Klavierstücke und Variationen by Alban Berg, Jean-Jacques Dünki. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 14 Variationen über ein eigenes Thema in F Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 14 Variationen über ein eigenes Thema in F Minor by Alban Berg, Jean-Jacques Dünki is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Dance Preludes *: No. 1. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B Major | 3 | 1B | 100 BPM | ||
Enescu: Octet in C Major, Op. 7: III. Lentement | George Enescu, Vilde Frang | E Major | 1 | 12B | 89 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
La mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 80 BPM |
Section: 0.7140417098999023
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