The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors - Igor Stravinsky, Teodor Currentzis, musicAeterna Information

Acousticness: 97%
Danceability: 42%
Energy: 5%
Instrumentalness: 96%
Liveness: 10%
Loudness: 70%
Speechiness: 6%
Valence: 10%
Popularity: 19%
Loudness: -18.132 dB

Summary

"The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors" by Igor Stravinsky, Teodor Currentzis, musicAeterna was released on October 9, 2015. With The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #12. Based on our statistics, The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors BPM

With The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.

The Rite of Spring: Part Two: The Sacrifice: Evocation of the Ancestors Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Quintet in G Minor, Op. 57: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	C Minor	3	5A	130 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco	Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin	B♭ Minor	2	3A	149 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Major	4	8B	150 BPM
Ravel: String Quartet, M. 35: IV. Vif et agité	Maurice Ravel, Quatuor Ébène	F Major	2	7B	80 BPM
Concerto Grosso No. 3: 1. Allegro	Alfred Schnittke, Victor Lieberman, Jaap Van Zweden, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly	C Minor	3	5A	90 BPM
Concerto for Viola and Orchestra: I. Andante comodo	William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes	A Minor	1	8A	102 BPM
Ein Heldenleben, Op. 40, TrV 190: The Love Scene	Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink	F♯ Major	1	2B	76 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Divertimento for Strings, Sz. 113: I. Allegro non troppo	Béla Bartók, Chicago Symphony Strings, Sir Georg Solti	B♭ Major	2	6B	108 BPM
Piece en forme de habanera (arr. A. Hoeree for violin and orchestra)	Maurice Ravel, Arthur Hoeree, Jennifer Gilbert, Orchestre National De Lyon, Leonard Slatkin	G Major	0	9B	68 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7093040943145752

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