Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski made "The Banjo (1854-55)" available on March 26, 2004. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Southern Quilt: American Music for Solo Piano". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, The Banjo (1854-55) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Banjo (1854-55) by Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Ghost Rags: No. 2. The Poltergeist | William Bolcom, Spencer Myer | E♭ Minor | 2 | 2A | 102 BPM | ||
sabe que soltera ese bajo | balsimo rolon | C Minor | 0 | 5A | 100 BPM | ||
Polonaise in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Vladimir Horowitz | A Major | 2 | 11B | 131 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | G Major | 1 | 9B | 104 BPM | ||
Gottschalk : Le Banjo Op.15 | Louis Moreau Gottschalk, Noël Lee | F♯ Major | 0 | 2B | 116 BPM | ||
Petite suite en 15 images: VIII. Romance | Jacques Ibert, Hae Won Chang | A Major | 0 | 11B | 71 BPM | ||
Carnaval, Op. 9: XIII. Chopin | Robert Schumann, Minsoo Hong | D♭ Major | 0 | 3B | 66 BPM | ||
12 Lieder von Franz Schubert, S. 558 (Excerpts): No. 3, Du bist die Ruh | Franz Liszt, Goran Filipec | E♭ Major | 0 | 5B | 125 BPM | ||
Masquerade Suite: I. Waltz (Arr. for Piano Duet by Kondratiev, Revised by Drislane) | Aram Khachaturian, Michael Drislane | E Minor | 2 | 9A | 101 BPM |
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