"Masquerade Suite: I. Waltz (Arr. for Piano Duet by Kondratiev, Revised by Drislane)" by Aram Khachaturian, Michael Drislane was released on August 16, 2019. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in A Four Hand Oydssey by Michael Drislane. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Masquerade Suite: I. Waltz (Arr. for Piano Duet by Kondratiev, Revised by Drislane) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Masquerade Suite: I. Waltz (Arr. for Piano Duet by Kondratiev, Revised by Drislane) by Aram Khachaturian, Michael Drislane is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Children's Album Book 1: No. 6, A Musical Picture | Aram Khachaturian, Victoria Terekiev | B♭ Major | 2 | 6B | 141 BPM | ||
Nocturne No.15 In F Minor, Op.55 No.1 | Frédéric Chopin, Daniel Barenboim | F Minor | 0 | 4A | 80 BPM | ||
Othello Suite: Finale | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D Minor | 1 | 7A | 79 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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