"O Antiphon Sequence (2018): II. O Adonai" by Cecilia McDowall, Alexander Hamilton was released on April 2, 2021. With O Antiphon Sequence (2018): II. O Adonai being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 18 in Cecilia McDowall: Sacred Choral Music by Cecilia McDowall, Stephen Layton, The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, O Antiphon Sequence (2018): II. O Adonai is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Antiphon Sequence (2018): II. O Adonai by Cecilia McDowall, Alexander Hamilton is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintet, KV. 407 (Arr. for Horn Trio by Ernst Naumann): II. Andante | Wolfgang Amadeus Mozart, Martin Owen, Francesca Dego, Alessandro Taverna | A Major | 4 | 11B | 119 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Old American Songs I: III. Long Time Ago | Aaron Copland, Kyle Bielfield, Lachlan Glen | B♭ Major | 0 | 6B | 76 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
Musicalische Vorstellung einiger biblischer Historien, "Biblical Sonatas": No. 1. Fight between David and Goliath (arr. C. Hazell): Joy of the Israelites at the Victory | Johann Kuhnau, Chris Hazell, Avatar Brass Ensemble, Lowell Graham | E♭ Major | 1 | 5B | 101 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Robert Chilcott, Sir David Willcocks, New Philharmonia Orchestra | F Major | 1 | 7B | 180 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Falling Angels | Cecilia McDowall, Trio Derazey, Sally Bartholomew, Mark Kesel, Matthew Scott | C Major | 1 | 8B | 83 BPM | ||
Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM |
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