"O ignis spiritus, BN 28" by Hildegard von Bingen, Gothic Voices, Christopher Page was released on April 1, 1985. With this song being about 5 minutes long, at 4:48, "O ignis spiritus, BN 28" by Hildegard von Bingen, Gothic Voices, Christopher Page is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in A Feather on the Breath of God: Songs of Hildegard von Bingen by Hildegard von Bingen, Emma Kirkby, Gothic Voices. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, O ignis spiritus, BN 28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O ignis spiritus, BN 28 by Hildegard von Bingen, Gothic Voices, Christopher Page is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Ascéndit Deus | Our Lady of Guadalupe Seminary-Priestly Fraternity of St. Peter | B♭ Major | 4 | 6B | 116 BPM | ||
In I Vesperis: Antiphona. Gloria laudis resonet | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Ordo Virtutum, Szene II: "Ego, Humilitas" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | D Major | 0 | 10B | 176 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
Missa Veni Domine: Id. Kyrie II | Filipe de Magalhães, Cupertinos, Luís Toscano | B Minor | 1 | 10A | 79 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Concordes adhibete animos - de Rore | Cipriano de Rore, Dionysos Now, Tore Tom Denys | F Major | 3 | 7B | 103 BPM |
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